Micheal Dransfield :: essays research papers

Michael Dransfield A poet you can feel, but never real understand.During a fourth dimension of great change, both ideally and physically, in Australian history, a young man by the name of Michael Dransfield made his battlefront known in the highly evolving scene of poetry. Dransfield was an eccentric char make a motioner, to say the least, and was know for his masterful ability of truly capturing the essence of many of livelihoods situations. Regardless of the heaviness or the difficulties of the subject matter being envisi unmatchedd throughout his poetry, Dransfield was mentally equipped to fully encompass any life experience and dawn light on some of its eternal truths in the world. Although he tragically died of a heroin overdose in 1973 (he was 24 years old), Dransfield made a lasting impression on Australian poetry never to be forgotten and to be forever considered one of the foremost poets of the 68 generation of counter-cultural dreamers (Chan, 2002).Throughout his bri ef existence on this earth, Dransfield was able to produce an extensive body of work that ranged from the human act of loving to the dreadful experience of having a drug overdose. His work is frame in within the literary construct of the Generation of 68 because it undeniably challenged the literary status quo during that period of time, and he overwhelmed it with sheer talent (Kinsella, 2002). Dransfield was innovative, unique, and was seen as somewhat a global poet, and something of a prophet (Kinsella, 2002). He existed during a time where poets were more inclined to avoid any mention of what they really did ( in the drug using sense), taking refuge in the socially authoritative subject of football, rather than confronting the challenges associated with drug use. Dransfield had no such inhibitions, he was the quintessential drug poet in Australian literary history, and it was through his drug purposeboth the beauty and the destruction of itthat Dransfield was able to fully le t his talent and generosity shine for all to see. He blazed the new trails for all those that were to come after him, and successfully created a place for the authentic experience in the body politic of poetry.It is a shame that it took such a personal tragedy for Dransfield to film so definitively with the experience of addictionin such an astonishingly unequal time (Armand, 1997). His work can only be marveled at and prize for its richly cosmopolitan tone, its urgent sense of possibility, its sheer cannibal ability, and its persistent attempt to resolve difficult emotional problems (Armand, 1997).